Tag Archive for graphics

Artist of the Month: Chris Spooner

A screenshot of Chris Spooner's portfolio website.

April’s artist of the month is Chris Spooner, a UK-based graphic and web designer.

Chris runs a rather prolific blog, Blog.SpoonGraphics, which celebrates it’s 5th birthday this year. This blog is a huge source of inspiration as Chris is often shares thoughts, techniques and other interesting things about the graphic and web industry. His tutorials are very concise and provide some good tips for using Photoshop and Illustrator within the graphic design context.

What I like the most about Chris’s work is the clean look of his designs. The edges are very sharp and the details are very crisp and clear. He makes an interesting use of pattern, texture and colour with a splash of retro throughout his work.

If you want to check out more of Chris’s work, check out his website: http://www.spoongraphics.co.uk/

I also highly recommend subscribing to his blogs: http://blog.spoongraphics.co.uk/ and http://line25.com/.

Create a minimalist movie poster with Illustrator

In this tutorial, I’m going to show you how you can create a minimalist poster for the Green Lantern using Adobe Illustrator. It is assumed that you already have a basic knowledge of Illustrator and know how to use the Pen tool.

Picking out the key features

Before you begin designing and building the poster, you need to pick out the key features that will be easily recognisable to anyone who glances at the poster. Below is one of the original movie posters that I’m using as inspiration. I’ve circled all of the features in the poster that are important to the superhero’s identity, such as the clenched fist and ring that powers, the mask and the insignia of the Green Lantern Corps.

Green Lantern movie poster with key features circled

Green Lantern movie poster with key features circled

Based on this exercise, you can determine which would be the best features you focus on when designing your poster. In the example, I’ll decided to use the image of a clenched fist with the Green Lantern ring as the main visual for the poster.

You should look at the colours used on the poster. Are there any colours that feature prominently and make the identity stand out? Remember, minimalist posters are meant to be very basic, so try to limit your colour palette to four or five colours.

Planning the layout

It’s a good idea to sketch out a few poster designs on paper before you start building your poster in Illustrator. This will give you the chance to play around with your layout and make a list of resources that you might need (textures, fonts, colours, etc.) Once you have the plan in place, you can gather any resources you need and start creating the poster in Illustrator.

Initial poster idea sketched on layout paper

If you want to recreate my example, the resources can be downloaded by clicking on the button below:

Building the poster

Open Illustrator and create a new A4 document. Go to File > Place and locate “fist.tif” on your computer and place it into the document. In the Layers palette, rename Layer 1 to “fist sketch” and lock the layer. This will stop you from accidentally moving the image when you’re tracing it.

Using the Pen tool, trace the fist sketch. Take your time and use the Direct Selection tool and the other Pen tool options to edit the paths if needed. You can see that I’ve worked across several layers and used different stroke colours. I find it helpful to work in this way as it makes it easier to locate, edit and delete paths if I need to.

Once you’ve finishing tracing, the next stage is to colour the image. I used the Eyedropper tool to take some samples of colour from a scan of a Green Lantern comic. The Eyedropper tool will recreate any colour you click on and store it in your Fill or Stroke colour boxes (whichever is active at the time) at the bottom of the toolbox. To save the colour to your Swatches palette for use later, click on the New Swatch button at the bottom of the Swatches palette. The colour will be stored as a swatch at the end of the swatch list (after all the default colours already stored there, if any).

Once you have your colours, change the Fill colour on each of the items. Remove the Stroke line from any shapes (such as the fist outline and insignia) by clicking the None button for the Stroke. Stroke lines add unnecessary detail to the image, so you only need them to define the fingers and thumb.

In the example, I also created a three-colour gradient for the background and added a couple of extra layers to make shadows for the fingers and thumb.

You’re now going to add a concrete texture to make the image appear more “grungy”. Create a new layer and place  the “grunge.jpg” into the document. Resize it to fill the whole page and cover the items you’ve drawn. With the texture selected, go to the Transparency palette and change the blending mode of the layer to Multiply and reduce the opacity to 30%. This will combine the texture with the coloured objects to make an old, rough effect.

Place “foldedpaper.png” in a new layer. Resize the texture and use the Transparency palette to change the blending mode to Overlay and reduce opacity to 65%.

That’s the main image of the poster finished. At this point you may wish to add a tag line in an appropriate font and adjust the layout to finish off the poster.

I scaled down the fist image, added the tag line in the space above it using the Futura font at 24pt and vertically aligned all the objects to the centre of the document using the Align palette.

Finished Green Lantern poster

 

Artist of the Month: Stephen Wildish

Stephen Wildish - Artist of the Month: March

Stephen Wildish - Artist of the Month (March)

As I was idly surfing through my Twitter feed on Tuesday evening, someone posted a link to a humourous info-graphic concerning Pancake Day. My first reaction upon seeing the info-graphic was “ooh, that’s a clever idea!”, which then piqued an interest in finding out more about the artist behind the work.

The artist is Stephen Wildish, an illustrator and designer based in the UK who’s worked with big brand names such as Canon, BBC and Orange. He’s worked on branding, packaging design, stationery design and even a spot of web design, so he has quite a diverse portfolio of work.

The main reason why I like his work is because of the simplicity of it. He has taken a simple idea or concept, picked out the key features and displayed it in a way that is instantly recognisable and easy to understand. He uses minimalist vector graphics combined with a hint of texture and beautifully rendered typography.

A feature on his website that I particularly enjoyed the Friday Project section – a section of quirky, fun graphics to enlighten a dull Friday afternoon. This is something I’ve never seen before on a portfolio website. It seems like a fun way to keep creative during a freelance dry-spell and as a means to expand your portfolio in a unique way. (Maybe I should try the “draw a monster every day for a month” challenge?)

As I’m quite fond of saying to my students, inspiration is everywhere. This portfolio has certainly inspired me to try out some minimalist design for myself, and given me some things to consider when designing for future projects.

If you’re interested in learning more about Stephen’s work or fancy a chuckle at some of the amusing flowcharts and info-graphics on his Friday Project page, check out his website: http://www.stephenwildish.co.uk/